The Liz Smith Column | 06/02/2009 11:00 pm
Liz Smith: 'Twilight' Stars Drained by Fame?
More from Our Gossip Girl: MTV hits below the waist! ‘Cat People’ confusion! And in search of more Marilyn Monroe.

Taylor Lautner, Kristen Stewart, Robert Pattinson
© Getty Images
© Getty Images
“What are the best things and the worst things in your life and when are you going to get around to whispering them or shouting them?” asked the sci-fi fiction writer Ray Bradbury.
***
I’m not a member of the MTV generation, for sure, but a thousand boos and hisses to the MTV honchos who decided what fun it would be to torment rapper Eminem – or to stage a gross prank. Marshall Mathers (Em’s real name) was invited to perform his comeback hit at the MTV Movie Awards and he did. His reward? Sacha Baron Cohen’s bare backside in his face. Cohen, in character as the gay “Bruno,” dropped from the ceiling wearing wings and jockstrap. This was no accident. (Eminem, aka Slim Shady, has been rumored to have occasional not-friendly-with-the-gays moments. This kind of incident – if it were the real turtle soup instead of the jock – won’t have him stumping to overturn Prop 8.)
I am no fan of Em. For one thing, I don’t get rap (and yes, I watched his MTV performance … I just don’t get rap!) But honestly, this is what you do to an invited guest, a star – you offer him public humiliation? That’s pretty low.
If it were a prank, come out and say it – it was still pretty low.
Then again, so was the relentlessly profane show. There was even a WTF Award. (What the F**K). Amy Poehler of “SNL” won and her acceptance speech was laced with cursing and a comment on how “good” the crotch of host Andy Samberg was looking. She didn’t say crotch. WTF indeed. (This was a relentlessly below-the-belt event – Oscar winner Forest Whitaker sang a song about a penis.)
Actually, the most interesting thing was watching the stars of “Twilight” accept award after award. Both Robert Pattinson and Kristen Stewart looked as if they have taken their screen vampire roles to real life – pale, listless, drained, obviously looking for a fresh kill. Only Taylor Lautner, who is the new “Twilight” hottie in the sequel, showed any real enthusiasm. I think the astonishing success of “Twilight” and the pressure of stardom have rattled Pattison and Stewart. Six months ago, nobody knew their names. Today, there’s no privacy, no corner of the earth where they can escape. And if you don’t think that’s a high price to pay for fame, think again when you go out to the corner deli today and come back unmolested. The new celebrity is to be part of the Un-Dead!
***
The Brits came out last week to praise American actress Jane Randolph, who had died at age 93 and had been the star of many ’40s classics portraying vulnerable women.
This obit pronounced her the hit of the atmospheric horror movie “Cat People” in 1942 and then its sequel, “The Curse of the Cat People.” I remembered seeing these black-and-white films because “Cat People” is a true classic, chosen by the Library of Congress to be preserved in the U.S. National Registry. This meant the powers that be consider it “culturally, historically or aesthetically significant.” I agreed because it was/is one of the most frightening movies ever made. Its mere suggestibility of a killer cat in the darkness makes obvious sadistic things like “The Texas Chainsaw Massacres” look bloated and absurd.

Image: Wikipedia
The problem with all this tribute to Jane Randolph, one of the last of the Warner Bros. wartime stable of actresses that included Olivia de Havilland, Jane Bryan and Ann Sheridan, is that from reading her death notice, I still can’t identify or call her up to my mind’s eye. Why? Because they used a photograph of the elusive French actress Simone Simon, replete with claws, to illustrate the obit. “Cat People” marked an auspicious debut in films by the French actress. In the movie, the American Miss Randolph is terrorized during a nighttime swim by an ominous, feline creature (Simon) whose supernatural presence is suggested rather than actually seen on screen. The Daily Telegraph notes, “Critics hailed it as one of the most suspenseful scenes ever filmed. Fans including Steven Spielberg and Tom Hanks later wrote congratulating Randolph on her performance.”
So, fond memories of Simone Simon, but I still can’t think what the late Jane Randolph looks like.
***
I’m not a member of the MTV generation, for sure, but a thousand boos and hisses to the MTV honchos who decided what fun it would be to torment rapper Eminem – or to stage a gross prank. Marshall Mathers (Em’s real name) was invited to perform his comeback hit at the MTV Movie Awards and he did. His reward? Sacha Baron Cohen’s bare backside in his face. Cohen, in character as the gay “Bruno,” dropped from the ceiling wearing wings and jockstrap. This was no accident. (Eminem, aka Slim Shady, has been rumored to have occasional not-friendly-with-the-gays moments. This kind of incident – if it were the real turtle soup instead of the jock – won’t have him stumping to overturn Prop 8.)
I am no fan of Em. For one thing, I don’t get rap (and yes, I watched his MTV performance … I just don’t get rap!) But honestly, this is what you do to an invited guest, a star – you offer him public humiliation? That’s pretty low.
If it were a prank, come out and say it – it was still pretty low.
Then again, so was the relentlessly profane show. There was even a WTF Award. (What the F**K). Amy Poehler of “SNL” won and her acceptance speech was laced with cursing and a comment on how “good” the crotch of host Andy Samberg was looking. She didn’t say crotch. WTF indeed. (This was a relentlessly below-the-belt event – Oscar winner Forest Whitaker sang a song about a penis.)
Actually, the most interesting thing was watching the stars of “Twilight” accept award after award. Both Robert Pattinson and Kristen Stewart looked as if they have taken their screen vampire roles to real life – pale, listless, drained, obviously looking for a fresh kill. Only Taylor Lautner, who is the new “Twilight” hottie in the sequel, showed any real enthusiasm. I think the astonishing success of “Twilight” and the pressure of stardom have rattled Pattison and Stewart. Six months ago, nobody knew their names. Today, there’s no privacy, no corner of the earth where they can escape. And if you don’t think that’s a high price to pay for fame, think again when you go out to the corner deli today and come back unmolested. The new celebrity is to be part of the Un-Dead!
***
The Brits came out last week to praise American actress Jane Randolph, who had died at age 93 and had been the star of many ’40s classics portraying vulnerable women.
This obit pronounced her the hit of the atmospheric horror movie “Cat People” in 1942 and then its sequel, “The Curse of the Cat People.” I remembered seeing these black-and-white films because “Cat People” is a true classic, chosen by the Library of Congress to be preserved in the U.S. National Registry. This meant the powers that be consider it “culturally, historically or aesthetically significant.” I agreed because it was/is one of the most frightening movies ever made. Its mere suggestibility of a killer cat in the darkness makes obvious sadistic things like “The Texas Chainsaw Massacres” look bloated and absurd.

Image: Wikipedia
The problem with all this tribute to Jane Randolph, one of the last of the Warner Bros. wartime stable of actresses that included Olivia de Havilland, Jane Bryan and Ann Sheridan, is that from reading her death notice, I still can’t identify or call her up to my mind’s eye. Why? Because they used a photograph of the elusive French actress Simone Simon, replete with claws, to illustrate the obit. “Cat People” marked an auspicious debut in films by the French actress. In the movie, the American Miss Randolph is terrorized during a nighttime swim by an ominous, feline creature (Simon) whose supernatural presence is suggested rather than actually seen on screen. The Daily Telegraph notes, “Critics hailed it as one of the most suspenseful scenes ever filmed. Fans including Steven Spielberg and Tom Hanks later wrote congratulating Randolph on her performance.”
So, fond memories of Simone Simon, but I still can’t think what the late Jane Randolph looks like.
Read more about: Amy Poehler, Andy Samberg, Ann Sheridan, Bert Stern, Celebrities, Eminem, Entertainment, Forest Whitaker, Gossip, Jane Bryan, Jane Randolph, Kanye West, Kristen Stewart, Liz Smith, Marilyn Monroe, MTV, News, Olivia de Havilland, Ray Bradbury, Robert Pattinson, Sacha Baron Cohen, Simone Simon, Stanley Crouch, Steven Spielberg, Taylor Lautner, The Liz Smith Column, Tom Hanks, Twilight, Vogue
























20 Reader Comments (so far…) Sign In or Register to comment
I would certainly NEVER promote Twilight as some great moral example, my main gripe being the main character. Here is a smart girl, who basically wants to throw away everything (family, education, etc), for a guy. She becomes totally dependant upon him, and all of her happiness depends on him. Even when I was 17, I couldn’t fathom girls who acted this way. I certainly had my teenage crushes and romances, but never to such an unhealthy level.
Aside from all of that, I just can’t get past the concept of sparkling vampires….:-/ I saw the movies w/o reading the books first, and about choked on my drink laughing when that came on the screen.
I was talking mainly about the characters building a friendship and a relationship without first hooking up. Another teenage love story I just read, was all about the irresponsible sex, with a very shallow relationship, ending when the girl decides to shoot all her friends and her parents, or commit suicide, that’s the cliffhanger. I’d much rather have my girls reading Twilight.
Bella is 17 years old, then turns 18, and so it’s not unusual that her happiness would revolve around a boy. It’s very realistic in that sense, although she does have her own job, her own car, and responsibilities around the house with her father. She doesn’t want to leave her father, but wants to keep him safe from extreme danger, so she knows she has to leave. Meanwhile Edward makes a powerful case for her attending Dartmouth, which she finally agrees to. I don’t see that as a problem. She’s brave, feisty, and boldly hunts Edward down in Rome in time to save his life, and she fights the bad vampires.
Dear Karen I confess I have never seen 8Mile. But now I will endeavor to look it up. Thank for your question.
Your movie fan, Liz Smith. P.S. What was your take on 8 Mile?
The tone of 8 Mile is pretty accurate for the early rap/hip-hop scene in Detroit when Eminem started out. There are some references that are better understood by those familiar with Detroit - 8 Mile Road is the northern city (and county) limits that, for a few generations, has represented the major socio-economic dividing line in the area; The Shelter really is a venue that hosted open mic, improvisational ‘rap battles’; Cranbrook is an elite, private institution in one of Metro Detroit’s wealthiest areas. It might also help to know that Detroit has a large, very organic, music and arts scene and, especially in the city proper, the focus is on people and pretension doesn’t fly.
Eminem isn’t a stereotypical rapper by any means, though as his Slim Shady alter ego he can be pretty (satirically) obnoxious. Some of his songs match up against the best storytellers out there, imho (Stan - about an unstable fan {and performed live with Elton John at the Grammys} , Mosh - his anti-GWB anthem, Toy Soldiers - about the stupid violence that grew in the rap community, Lose Yourself - the Oscar winning song about chasing one’s dreams, and so on).
Too right about the original "Cat People" being a classic. That’s a great one by any standard. What a shame about the photo mix-up in the obit!
Jane Randolph
on the cover of Yank magazine
https://www.instantcast.com/AllStars/Jane_Randolph
Stills from scenes
http://www.lewtonsite.com/cast-jane-randolph.php
My twelve year old daughter is an avid fan of "Twilight" THis is good and bad. SHe read all the books in the series and enjoyed them. While its a somewhat innocent story, it does have a dark side to it. There was an extrememly violent scene in the first movie where Bella (Kristen Stewart) was attacted by a vampire.
My advice, be careful with Twilight and young girls. It can really become an obsession.
I teach film history, and this summer, I am teaching a course in film noir. Naturally, Cat People will be on the syllabus. It is without doubt one of the most beautiful black-and-white films ever made. Val Lewton, the producer, and his director, Jacques Tourneur, filmed this classic on a budget that by today’s standards, would barely cover a film star’s daily latte needs! They used Orson Welles’s set from The Magnificent Ambersons, rushing to film the scenes before the studio tore it down; the suspenseful walk through the misty park scene was shot at next to no cost by having Jane Randolph walk past the same bit of retaining wall, past the same streetlight over and over to simulate her long walk as the cat woman stalks her. Wonderful! And that swimming-pool scene is just about the eeeriest ever: the lighting, sound effects and tension have rarely been equalled, and often imitated. (Spielberg’s first shark attack - the midnight swimmer - right out of Cat People.) And Scorsese pays tribute to Lewton/Tourneur over and over again. If you haven’t seen Cat People, please order it from Netflix or visit your local library.
Jane Alexander’s performance in this film, and in the beautiful sequel, is memorable because she was so completely natural. Never seemed to be "acting".
Marilyn would have been HOW old? OMG. I still miss her, don’t you?